in my father's house

the many mansions return, foreboding. has there been a storm? I look back upon these writings—how much has transpired without being spoken of. and what else is required to further.

Every bush

Walking wide eyed into the waking into Sun, towards the Father and the feet, touched down (thank you thank you Este)

Eternity's gate

The palaces, the citadel, the lapidary, the signet, the stone. Myriam in Submission—every blowjob as if the first. A holiday, hers, almost.

Unrelated, yet bound. Crossing over, where does the time go, when does she debark.

Forgive us darling we're all crackers

So says my grandmother at the speculative last. In her kitchen as never-dying-deathbed, waiting waiting loverlike, Candy Darling's hospital end. No that's not what this here is about. 

Only that she is correct, insofar as for a we that includes myself, cracked too is my povre shape of whatever you would call this period. A snow cone that is a flower, on fire, coals, bleary...crackling the ice no longer concealing, merely to enclose

Poin ter

Every day I wake up thinking about the finger that led them to the field. (Ann Lee)

The pantomime

It is possible to have new stories, yes, but from these, even, we slip out, off. My mother, correct on that front: ever the runaway bunny. To let herself be body-object-study. Stone tossed dwelling within the well of the feminine, impossibly leaden. For in fact the stone was never tossed, not yet, merely that she stirred, began to spurt. More curious to be tied to a tree. And the tree, to weep? Here, reaching there is only reach. 

Lol Stein at Liberation

Among the many and in the dark, we seek The Pearl, unspeakable, she speaks.